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Chant d'Amour
Tue 20 May Symphony Hall
There is nothing else in the whole of classical music to compare with the experience of hearing Messiaen’s amazing Turangalîla Symphony live. A larger-than-life tribute to the cosmic power of love, it features a massive orchestra and major solos for piano and ondes martenot, the other-worldly electronic instrument that was this composer’s speciality. It is conducted in the composer’s centenary year by Ilan Volkov, who has built a very strong reputation in large-scale 20th-century scores. We also begin a three-week Janácek focus with Taras Bulba, his stirring triptych telling of the battles and ultimate death of a Ukrainian Cossack hero. 6.15pm pre-concert talk
Ilan Volkov conductor Steven Osborne piano Cynthia Millar ondes martenot
Janácek: Taras Bulba 23' Messiaen: Turangalîla-Symphonie 76'
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Chant d'Amour
Thu 22 May Symphony Hall
There is nothing else in the whole of classical music to compare with the experience of hearing Messiaen’s amazing Turangalîla Symphony live. A larger-than-life tribute to the cosmic power of love, it features a massive orchestra and major solos for piano and ondes martenot, the other-worldly electronic instrument that was this composer’s speciality. It is conducted in the composer’s centenary year by Ilan Volkov, who has built a very strong reputation in large-scale 20th-century scores. We also begin a three-week Janácek focus with Taras Bulba, his stirring triptych telling of the battles and ultimate death of a Ukrainian Cossack hero. 6.15pm pre-concert talk
Ilan Volkov conductor Steven Osborne piano Cynthia Millar ondes martenot
Janácek: Taras Bulba 23' Messiaen: Turangalîla-Symphonie 76'
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Celebrating Messiaen
Fri 20 Jun Town Hall
The Conservatoire’s end of year concert celebrates the centenary of the birth of Olivier Messiaen in tremendous style, while marking the end of the New Generation Arts Festival and the start of Messiaen 2008, a weekend of concerts and a major international conference devoted to the composer, hosted by Birmingham Conservatoire. Ranging from his first published orchestral work, the remarkable Les Offrandes oubliées, written when he was just twenty-one years old, to the musical souvenirs of Japan of Sept Haïkaï, the evening provides a glimpse of the diversity of Messiaen’s music. £10, 60 plus/Under 16’s/Unwaged £8, Students £2.50
*Birmingham Conservatoire Symphony Orchestra* *Lionel Friend* conductor *Rebeca Omordia* piano *Colin Scott* piano
Messiaen Les Offrandes oubliées Messiaen Sept Haïkaï Debussy Prélude à l’après-midi d’un faune Messiaen L’Ascension Messiaen Oiseaux exotiques
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Quartet for the End of Time
Tue 9 Dec Town Hall
Four world-class soloists come together to mark the 100th anniversary of the birth of one of France’s greatest composers - Olivier Messiaen. His visionary _Quartet for the End of Time_ is an uplifting and spiritual work, and will be accompanied by specially commissioned visuals from artist Kathy Hinde. It is preceded by Ravel’s Piano Trio - tinged with serene disquiet and written as the world descended into the carnage of the First World War. *BBC music magazine’s editor, Oliver Condy, explains why he has recommended tonight’s concert:* _"Messiaen premiered his Book of Revelation-inspired Quartet at a Polish prisoner of war camp in 1941 in front of 5,000 fellow prisoners. Widely seen as his finest work, it’s the perfect introduction to a composer who brought French music kicking and screaming into the 20th Century.”_ "BBC Music Magazine":http://www.bbcmusicmagazine.com 6.15pm pre-concert talk Tickets £5-£20
*Steven Osborne* piano *Alban Gerhardt* cello *Viviane Hagner* violin *Kari Kriikku* clarinet *Kathy Hinde Messiaen* visuals
*Ravel* Piano Trio in A Minor 20’ *Messiaen* Quartet for the End of Time 50’
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Transfigured Night
Thu 19 Feb 2009 Symphony Hall
The idea of transfiguration loomed large for late romantic artists, and these two masterpieces by Strauss and Schoenberg • although the product of composers who were just 25 years old • seem to sum up a whole lifetime’s experience in music that is among the most luscious ever composed. Schoenberg’s masterpiece for strings tells of a transfigured night in which a couple fall in love all over again. Messiaen’s more explicitly religious world-view provides the perfect complement: in his powerful piece for wind, brass and percussion he expresses his own deeply-held beliefs on the resurrection of the dead. And the concert climaxes with a chance to hear the CBSO and Andris Nelsons • already so admired in Strauss’s music • play the magnificent tone poem Death and Transfiguration.
Schoenberg: Verklärte Nacht 32’ Messiaen: Et exspecto resurrectionem mortuorum 26’ Strauss: Tod und Verklärung 24’
